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以失恋的鬼魂（Mae Nak）和神奇的僧侣（Somdet To）为中心的故事是泰国佛教的核心。这些角色具有历史意义和情感共鸣，吸引了每一类追随者。它们在比喻和修辞上都很强大，它们会随着时间的推移不断地重新想象。
贾斯汀·托马斯·麦克丹尼尔 (Justin Thomas McDaniel) 专注于从 18 世纪晚期到现在的鬼魂和僧侣的表现形式，通过这些变革性人物的动作来解释现代泰国佛教实践。他在传记、电影、电视、戏剧、仪式、艺术、礼仪和互联网等各种流派和媒体中追踪鬼和僧的化身。他寻找修女、僧侣、外行和皇室成员，展示了与这些人物的关系如何在创造历史和现代性方面发挥了重要作用。麦克丹尼尔对当地的“佛教徒”概念以及这种身份在不同场所和技术中的形成和传播特别感兴趣。
麦克丹尼尔将个人的“宗教剧目”确立为一个有效的研究范畴，通过魔术、预言、形象制作、神圣保护、神鬼崇拜等实践来探索佛教思想和仪式的表现，并阐明了多种文化配置的含义。 .聆听流行的泰国佛教鬼故事，参观拥挤的神社和寺庙，他发现依恋、爱情、财富、美丽、娱乐、仁慈、安全和民族主义的概念都源于与鬼和僧人的接触，对使泰国佛教成为尊崇佛陀本人。
Stories centering on the lovelorn ghost (Mae Nak) and the magical monk (Somdet To) are central to Thai Buddhism. Historically important and emotionally resonant, these characters appeal to every class of follower. Metaphorically and rhetorically powerful, they invite constant reimagining across time.
Focusing on representations of the ghost and monk from the late eighteenth century to the present, Justin Thomas McDaniel builds a case for interpreting modern Thai Buddhist practice through the movements of these transformative figures. He follows embodiments of the ghost and monk in a variety of genres and media, including biography, film, television, drama, ritual, art, liturgy, and the Internet. Sourcing nuns, monks, laypeople, and royalty, he shows how relations with these figures have been instrumental in crafting histories and modernities. McDaniel is especially interested in local conceptions of being "Buddhist" and the formation and transmission of such identities across different venues and technologies.
Establishing an individual\'s "religious repertoire" as a valid category of study, McDaniel explores the performance of Buddhist thought and ritual through practices of magic, prognostication, image production, sacred protection, and deity and ghost worship, and clarifies the meaning of multiple cultural configurations. Listening to popular Thai Buddhist ghost stories, visiting crowded shrines and temples, he finds concepts of attachment, love, wealth, beauty, entertainment, graciousness, security, and nationalism all spring from engagement with the ghost and the monk and are as vital to the making of Thai Buddhism as venerating the Buddha himself. |
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英文 |
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pdf |
| 作者: |
Justin Thomas McDaniel |
| 目錄: |
致谢
转录注意事项
简介 1
1. 僧侣和国王
作为传记的歧义 26
Somdet 53
章节小结 69
2.文字与魔法72
Jin apañjara gatha : 泰国最有力量的经文 77
Jinapañjara gatha 在泰国内外的历史 81
重新审视小乘佛教 85
隐藏的水池和圣水 88
吟唱俱乐部和恐怖电影 92
上座部密宗 100
咒语 109
章节小结 119
3. 仪式和礼仪 121
仪式、庙会、腐烂的尸体和多样性 125
礼仪和杂音 139
泰国佛教曲目 153
章节小结 158
4. 艺术与物品 161
错位的虔诚：Wat Mahabut、Wat Srapathum 及其他地方的图像
超越商业主义：从历史和物质层面思考护身符 189
Ultiaman and the Siam Commercial Bank: Murals and Agency in Modern Thailand 213
章节小结 219
结语 222
笔记 231
参考书目 283
索引 315
Acknowledgments
Note on Transcription
Introduction 1
1. Monks and Kings
Ambiguity as Biography 26
The Why of Somdet To
Conclusion 69
2. Texts and Magic 72
The Jin apañjara gatha : The Most Powerful Text in Thailand 77
History of the Jinapañjara gatha in and Outside of Thailand 81
Recentering Theravada Buddhism85
Hidden Pools and Holy Water Machines 88
Chanting Clubs and Horror Films 92
The Theravada Tantra or the Esoteric Mainstream Speaking Magically
Conclusion 119
3. Rituals and Liturgies 121
Rituals, Temple Festivals, Decomposing Corpses, and the Nationalizing of Diversity 125
Liturgies and Cacophonies 139
Expanding the Thai Buddhist Repertoire
Conclusion158
4. Art and Objects 161
Misplaced Piety: Images at Wat Mahabut, Wat Srapathum, and Beyond
Beyond Commercialism: Thinking About Amulets Historically and Materially 189
Ultraman and the Siam Commercial Bank: Murals and Agency in Modern Thailand 213
Conclusion 219
Conclusion 222
On Repertoires and Syncretism
Notes 231
Bibliography 283
Index 315 |
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